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|Witness Interview: Richard Bertuch, Editor at The Oxford Town Weekly|
Tuesday, November 7, 2000 - 11:30 a.m.
The witness, a thirty-four year old man, was interviewed by the Yoknapatawpha County Sheriff's Department at The Oxford Town Weekly magazine's offices.
TA: Would you state your name, address, and place of employment please?
RB: Richard Bertuch. I live at 125 Filmore and I'm an editor at The Oxford Town Weekly.
TA: Can you tell me about Zoe Chase and the work she did for your publication?
RB: She was one of our columnists. The basic premise of her column was the struggle of a young writer as it parallels every person's life struggle. She talked about rejection letters, getting through writer's block, how events in her personal life affected her writing career. We didn't think of her column as being precisely for writers only. We wanted it so anyone could understand. Sort of a vehicle to expose non-writers to the experiences of a young author and to see how those experiences compare to their own.
TA: And how long did this column run?
RB: She was in every issue for quite a while.
TA: Was it a popular column?
TA: What did you think of Zoe personally?
RB: She was a nice lady. I mean, she was definitely determined and some people got really irritated with her. At first, when she first started writing for us, we had some knock-down, drag-out fights when I would edit her pieces. God forbid something she wrote might get cut. But lots of writers are like that. It was a sign of her determination.
TA: What did you think of her book contract?
RB: That was certainly a major event for her.
TA: But, what was your opinion? Did she deserve it?
RB: I guess. It's hard to say. So much of what gets published, you just look at it and wonder whatever made someone think this was good. But even though you yourself might not be blown away by someone's work, you're still happy for their success. More power to them.
TA: Did you think her fiction was any good? You seemed to think highly of her columns, but what about her other writing?
RB: I was a bit surprised at the portions of the book I saw. I'm no mystery fan so maybe I don't even know what I'm talking about. But the book seemed to be pretty good and it was a fairly large leap from a lot of her other fiction. I was impressed at her growth.
TA: Did you think there was anything weird about it?
TA: This sudden improvement.
RB: Not really. It happens a lot. Often with writers, a light bulb just goes on. Something clicks and they break through to a new level of facility. It's really not that unusual.
TA: What was Zoe's last column?
RB: She had a piece about how exciting it was to sign the contract, to know that her work was going to be published. She was supposedly working on a new column about what kind of direction would her work take after the novel was published. Sort of a "what do I do now?" kind of thing. But we never received it, so I don't know for sure whether that's what she ended up writing about.
TA: Were you expecting it?
RB: Yeah. The deadline had come and gone and Zoe was always really good about making her dates. Of course, I had no idea what had happened to her, but I was starting to get pretty mad. I couldn't find her, couldn't get any information.
TA: Did you ask anyone else about it?
RB: I called Peggy LeClaire to ask her about it. Peggy almost always typed Zoe's work. But she didn't answer so I left a message and never heard back from her. Of course, it was the next day, I think, when I learned what had happened to Zoe and then the question of her column's whereabouts became utterly unimportant in comparison.
TA: So, you never did see her last column?
RB: No. If it had turned up in the office somewhere, I would think someone would have mentioned it to me.
TA: Okay. I think that covers everything I need right now. We'll be in touch if we have any more questions. Thank you for your time.
End interview 11:47 a.m.